External Sound Module For Midi Keyboard – All the unique specifications of the technology, but in the “sound module” version with functional design for desktop and shelf use (cooling fins available).
Housed in a beautiful light blue aluminum case and weighing just 2.0kg, the VIVO SX7 delivers the legendary acoustic and electric piano tones of the VIVO range.
External Sound Module For Midi Keyboard
The USB MEMORY port supports the MIDI protocol, so you can directly connect and control any keyboard from the manufacturer via USB without a computer, and the USB COMPUTER port simultaneously transmits MIDI data and 24bit 48 KHz audio signals.
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In addition, VIVO SX7 does not require a sound card, and can record / play MIDI or AUDIO data by directly connecting to a computer.
The exclusive “T2L” (True 2 Life) technology used in all instruments is a revolution in digital instruments because:
The powerful DSP multi-effects unit of VIVO SX7 can manage 6 effects simultaneously, 2 for each part, dedicated to simulating more than 16 different effects.
VIVO SX7 also offers a “Seamless Transition” feature that avoids sound distortion or unexpected effects when changing patches or remembering new sounds.
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The complete memory of VIVO SX7 contains more than 80 sounds (list available in the download section) of the highest quality, occupies 1.5 GB and offers the possibility of complete reconfiguration using the free sound library available on the website, but also from the “Sound Font Library ” standard “online”.
The VIVO SX7 is ideal for having the highest technology currently available in digital pianos in a portable module.
6 independent DSP effects x 17 types (2x Part 1, 2x Part2, 2x Part 3) using “seamless change” technology when the effect is recalled
6 independent DSP effects x 17 types (2x Part1, 2 x Part2, 2 x Part3) using “seamless change” technology when the effect is recalled
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6 independent DSP effects x 17 types (2 x Main, 2 x Coupled, 2 x Lower) using “seamless change” technology when the effect is recalled * This unit uses the unofficial “Roland GS” sound ROM, despite the GS logo it is nowhere to be found. to meet.
* As this module only has 20 voice polyphony, this module is officially disqualified as a GM device (at least 24 voice polyphony is required)
* This module is basically the same as Creative Wave Blaster (CT1900), but adds reverb and chorus effects.
* This module has an internal waveblaster compatible header to support the Yamaha XG board. In fact, the NX5R comes with a Yamaha DB51XG daughterboard as standard.
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* This mod is basically a LAPC-I ISA sound card in a box, like the 2nd generation MT-32 with extra sound.
* This mod has MT-32 soundmap, so it works like 2nd generation MT-32 and can be used for DOS games. However, it does not support the “Close All Notes” command, which causes a hanging sound in DOS games. This can be solved with the SoftMPU utility, or even “fix” the hardware by cutting the trace and connecting two IC pins on the motherboard.
Additionally, GM/GS compatibility is flawed, making it a less attractive option for playing DOS games and listening to standard GM/GS MIDI files. It’s not difficult, but at the same time, you can’t assume that the MIDI keyboard you’re focusing on has a good MIDI port. Almost every controller seems to be designed to plug directly into a computer, and thus has only one USB port. Manufacturers often offer controllers with this version of a little 5-pin DIN socket, but they usually upgrade, for example, with 76 buttons instead of the 61 you want, and maybe more importantly, a version that can fit on the desk or on. your budget.
In an increasingly computer-dominated market, few might admit that it’s no surprise that modern (MIDI) controllers do away with MIDI ports. On the other hand, for those of us with hardware sound modules, synths, and drum machines, a MIDI controller without a MIDI port is useless!
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So a USB MIDI host is basically a small box with embedded firmware that recognizes the appropriate class of USB MIDI controllers. the middle (
) is really important. The USB MIDI host is designed to turn on and off. There is no QWERTY monitor, keyboard or mouse, and no access to the Operating System. So it stands to reason that anything related should be known immediately, meaning that anything related should be known.
There are several manufacturers of MIDI USB hosts, but probably the two most famous are those made by Kenton Electronics and MIDITech. Expect to pay around £85 for the former and £66 for the latter.
For the DIYers among us, I chose to include the USB Host Controller Board V2.4 in the image above. The kit is available from https://www.hobbytronics.co.uk/ for £16.20 (at time of writing) in various ‘pre-built’ versions with the appropriate firmware installed on the 24FJ64GB002 microcontroller prior to delivery. One version turns this little board into a nifty USB MIDI host. You have to connect a 5-pin DIN socket, provide power and assemble it yourself, but for the adventurous, this can be a very expensive solution.
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One thing to note is that the box requires power, and both of the examples above come with a USB power port that is secondary to the USB port used to accept the USB MIDI keyboard connection.
A company called iConnectivity makes a line of well-designed MIDI interfaces for the modern audio production environment. For example, the XL has ten (yes, ten) USB host MIDI ports as well as a set of traditional 5-pin DIN ports
…also supports RTP-MIDI via RJ-45 connection. The Mio XL is fully configurable via computer-hosted software and features an elegant OLED display that provides a variety of status information. Priced at just under £350, this is a very powerful interface designed to connect to anything that can do MIDI.
‘. Latency is defined as the time between a signal entering a digital system and leaving the same digital system, basically the time it takes to digitally process a signal. If it means a simple analog-to-digital or digital-to-analog conversion, even that process takes a limited amount of time. This is not the case with analog electronics, although there is an almost analog parameter called “
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Especially when using a computer, the lag can be quite long, because we are all used to a lot of things happening in the box. Having said that, clock speeds and more efficient processing in software and hardware have reduced latency over the years, and it’s generally not a real problem. Most importantly, audio interface manufacturers introduce “
‘ It was and still is a great solution to the old latency problem.
So back to the USB MIDI head unit, it should be noted that the smaller box, by design, is very simple and designed to do just one thing. So, while the technical lag is still there, it cannot be underestimated just by the nature of the beast. I use a Kenton Electronics USB MIDI master myself, and I can assure you that if latency is an issue, it won’t bother me.
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Module is a high-quality sound generator app for iOS that includes a professional sound library ideal for performance and music production. Using only your iPad/iPhone and a MIDI keyboard like the microKEY, you can play studio-quality keyboards and grand piano sounds anywhere. You can also use sounds from the Modul* series in the Gadget music creation app.
Keeping its place at the forefront of mobile music applications, now with Modul, it offers a new style of performance and production.
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* Using the module requires unlocking the controller product or purchasing an expanded sound library.
The module has six dedicated sound engines, providing several
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