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Computers Good For Recording Music
From home recording to commercial studios, podcasts to streaming, we have an audio interface to fit your needs and budget.
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How To Build A Home Studio For Computer Based Music Recording
Offers everything you need to record, mix, produce and master your music in your spare room. This guide goes over the basics of what you need to get started.
The first thing you need to set up a recording studio is a computer. It can be a Mac® or Windows® PC, so you can continue using whichever operating system you’re most comfortable with. First, you should check the system requirements for the recording software you want to use. When you purchase an audio interface, Studio One® Artist is included for free with your hardware (more on that in a minute). Remember that these are the “minimum system requirements” published by any hardware or software manufacturer: the minimum computer specifications you need to have a minimum level of performance.
The better the specifications of your computer, the better your performance. So keep this in mind when configuring your computer. For example, if you plan to record eight or more audio tracks simultaneously at 96 kHz, you will need a more powerful machine than if you are recording a single track at 44.1 kHz. Same for mixing and making. If you’re creating a multi-layered EDM album with multiple tracks that trigger virtual instruments and samples, you’ll need more horsepower than if you’re using your computer to record only vocals and guitars.
The last thing to consider is the transport protocol your audio interface needs. This is the communication method that your audio interface uses to transfer audio to and from your computer. The most popular protocols in use today are USB 2.0, USB 3.0, USB C, and Thunderbolt. Although FireWire products are still in production, you will find that they are generally compatible with Thunderbolt. If you are just starting out, we recommend choosing a new protocol to get the most life out of your investment.
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The audio interface is an essential component of any modern recording studio. Its main function is to convert analog audio to digital audio and vice versa, so you can record and play back on your computer. But the audio interface is more than a converter that converts what you hear into information that your computer can understand, the audio interface is the central hub that connects your studio. Your audio interface may also include any or all of the following: a MIDI interface, mic preamp, instrument preamp, on-board monitoring function, and even on-board plug-in processing, just to name a few. some of the features available in modern. recorders.
Creates a wide range of audio interfaces to fit any use case you may have. These interfaces range from small compact devices like the AudioBox USB 96 to a professional 64-channel mixer with integrated recording and DAW control like the StudioLive 64S. Let’s look at some of the options and why you should choose one over the other depending on how you want to record in your studio.
The first thing you need to decide is how many channels you want to record and play back simultaneously, and how you want to connect the equipment. For example, even if you’re recording multiple channels at once, do you have multiple synthesizers or external equipment that you want to stay connected all the time? If so, you can choose an audio interface that allows you to plug everything in so you can access it whenever you want. It costs a little more up front, but it saves you hours of lost productivity, so it’s worth spending an extra $100 and getting some more data.
Most audio interfaces provide a wide enough range of input types that you can connect any type of equipment you need, but you want to make sure you have enough of what you need. Here’s a quick tutorial:
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How you hear yourself while recording is essential to a good performance. This is where the delay occurs. Latency is the time it takes for the sound you emit to return to your headphones, and there are many things that affect it. (See this article for a more in-depth look at digital audio delay). When choosing an interface, you need to know how to avoid latency.
Many audio interface manufacturers have solved the issue of monitoring latency in DAWs by providing zero-latency or low-latency monitoring solutions in their interfaces. One of the easiest solutions is to mix the analog input signal with the playback from the computer. A simple analog Mixer button on the front panel of the AudioBox USB 96 and AudioBox iTwo allows you to mix the analog (pre-converter) input signal with the stereo playback stream from the computer.
A similar solution is used in AudioBox iOne, Studio 26c and Studio 68c. These interfaces provide a Direct Monitor switch that sums the playback streams and the analog signal, providing an even mix of the two.
Advanced interfaces such as the Studio 1810c and Studio 1824c provide onboard DSP that allows you to create a master monitor mix. Some interfaces, like the Studio 192, provide a powerful onboard DSP along with many of the features you’d find on a digital console. Anyone who has ever recorded with a StudioLive® mixer (or anyone who monitors with any mixer) knows how important recording a track is when it comes to audio effects, as well as compression and equality. For example, if the reverb on the vocals will be part of the final mix, it’s almost impossible to record the vocals as “dry” because if you can’t hear the duration and decay of the reverb, the phrasing and timing will be completely different.
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Studio 192 provides the same user experience as monitoring through an external mixer, without the need for additional cost, complexity and cabling. These devices are equipped with a powerful onboard DSP capable of handling 16 copies of the Studio One Fat Channel plug-in, plus reverb and delay.
Of course, the ultimate solution is to have such a fast audio interface that you can control directly from your DAW and use any plug-in. To this end, Quantum offers a series of Thunderbolt interfaces. These interfaces offer roundtrip latency of less than 2ms on most systems, allowing you to control your audio from the same application you’re recording.
We’ve discussed rackmount solutions and desktop audio interfaces, but what if controlling everything from software isn’t for you? You probably feel more comfortable with more control at your fingertips than at the bottom of your mouse. Many modern mixers offer some level of audio recording capability, but StudioLive mixers have been designed since their inception to work in studio and live environments.
StudioLive AR Series mixers are true analog mixers that allow you to record each channel and master mix. These mixers are also equipped with a stereo SD recorder, so you can get the idea that all your equipment won’t burn out. StudioLive Series III mixers take it to the next level and offer motorized faders, Studio One DAW control and advanced Fat Channel processing, including multi-track SD and USB recording. If you want the power of a digital mixer with the simplicity of an analog board, the StudioLive 16.0.2 USB provides the best of both worlds.
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