Sound Module For Midi Keyboard – And for a discussion of the pros and cons of buying a particular synthesizer and for advice on buying a synthesizer.
Is it possible by today’s standards to connect a stupidly cheap MIDI keyboard to a “vintage” sound module and tell that sound module that the keyboard’s buttons now control its sound parameters?
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What specs should I be looking at to make sure the keyboard can be connected to the sound module? Is it universal? or too specific? Or are these buttons usually built in to control things on DAWs?
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I was trying to discover the synth world from scratch. I’m far from scratching the surface of knowledge about these tools, but I’d really like to improve.
My friend has a Korg Minilog. I found I could spend hours just turning the knob. Now I want to do the same at home. I’m starting from scratch and looking for a more modular setup than Minilog. I want to have a keyboard in front of me with volume buttons. I love the Minilog’s LFO, envelope knobs…
My understanding is that I should be able to buy a MIDI controller (a keyboard with just MIDI outputs and inputs) to plug into a “box” that translates MIDI to audio.
I’m thinking things like Roland-U220 / Yamaha TX802… “synths in a rack unit” as far as I understand (“sound module”?) but I’m not sure I understand everything, so my Post.
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I’d really like to have something that has a minilog-like user interface, but it’s not minilog. As I would like to separate the keyboard from the sound module.
I come from the guitar side and have spent the last 10 years finding and working my way through gears. Now I’m – almost – completely happy with what I have.
Now I want to be able to play guitar to make music or soak myself in the sounds of the late 80s.
My goal is to have some tools to reproduce environments and sounds without using a computer. I spend my daily life in front of my laptop, I don’t want to open it playing for myself. Even then. Maybe it will change later (never say never…) but I doubt it.
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I also really like rack mounted units for some reason. Mainly because of the working space and also because sometimes I can get them at a relatively “cheap” price and that’s a great argument. I don’t know exactly what I want yet. Then again, I don’t want to spend hundreds on a unit unless I’m sure I’ll really enjoy it.
Since real estate is very expensive, I can’t afford a large 61-note keyboard. Starting out with a small MIDI keyboard that can fit in a rack drawer would be great for me. If someday I find myself limited by a keyboard that’s too small, I’ll consider replacing it.
I especially enjoy the grungy sounds of the 80’s. please don’t judge me That’s a great thing for me because even though not all stuff from the ’80s is still labeled as “vintage,” the prices can sometimes be reasonable.
Your keyboard controller needs to be able to work independently (some don’t) and have multiple MIDI ports. Generally, if it doesn’t have power or a battery, it can’t.
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The keyboard’s ability to control the Mosul depends on the implementation of the MIDI module. Most modern controllers can be edited to support a range of MIDI messages from all knobs, sliders and knobs, anything from CCs and NRPNs to program changes and even notes. However, some controllers will send sysex messages.
You need to download and read the manual to understand what the controller can transmit and what the module can receive.
I can tell you that the older the module, the less control you have. The U-220 and TX-802 offer almost zero MIDI control beyond the basics…Pitch Bend, Mod Wheel (often difficult to map vibrato), Velocity (limited mapping), Aftertouch (limited mapping), Sustain pedal (CC# 64), expression pedal (CC#11), master volume (CC#7) and pan (CC#10). Even the keyboard versions had limited real-time control capabilities. The ability to access large parts of synthetic engines with real-time control did not begin to arrive until the mid-1990s, and eventually became commonplace in the 21st century. Programming units via MIDI is traditionally done using sysex messages, which almost never support real-time control.
I heard Hatfield and North in Rainbows. They were wonderful and they captivated my heart. A high-quality mobile sound module application ideal for both module performance and music production, with a library of high-quality, professional-grade keyboard sounds. In addition to the iPad version, it is now available for the iPhone. Your iPhone, along with the new MicroKey-like MIDI keyboard, is all you need to easily perform unmatched studio-quality piano and keyboard sounds anytime, anywhere.
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The iPad module has also been updated. Japan’s passionate sound developer “Premier Sound Factory” has created an authentic sound library of “Premier Vintage Organ”.
In addition, to help users sample and understand the module, we have provided “Module Lay for iPhone” and “Module Lay for iPad”, a free lite version to download. Although there are some limitations, this is the easiest way to experience quality piano sound. The sound and functions expand if you use “Module LE” with controller products such as the new Microkey, Microkey Air.
* For modules for iPad, Expansion Sound Libraries are also offered at a discounted price for in-app purchase.
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